Pison 73
Nono, Grace. 2008. The Shared Voice: Chanted and Spoken Narratives from the
Philippines. Pasig City: Anvil Publishing and Fundacion Santiago.
Reed, Susan A.1998. “The Politics and Poetics of Dance.” Annual Review of
Anthropology, Vol. 27. 503-532 (http://www.jstor.org/stable/223381. Accessed
July 23, 2011.
Rodgers, Rod. 1979. “Don’t Tell Me Who I am.” In The Vision of Modern Dance.
Edited by Jean Morrison Brown. New Jersey: Princeton Book Company. 173175.
Turner, Bryan S. and Zheng Yangwen. 2009. “Piety, Politics and Philosophy: Asia
and the Global Body.” In The Body in Asia. Ed. Bryan S. and Zheng Yangwen.
Uy, Ed. 2011. “Hinilawod’: Unearthing a Pinoy Epic.” Manila Times, August 5,
2011. http://www.manilatimes.net/index.php/life-and-times/showtime.
Accessed October 2, 2011. www.globalpinoy.com/news/news
insidephp?newsnum=15406.
“Revolution Redux: Ballet Philippines Restages Agnes Locsin’s La Revolucion
Filipino.” Accessed September 25, 2010. www. alibataan.blogspot.
com/2008/02/hinilawod.html.
“Hinilawod.”Accessed March 30, 2011 www. Malaya.com.ph. 2010.
“Agnes Locsin, Inspired by Bencab, Tackles Pinoy Psyche.” Malaya. June 9,
2010. Accessed Sept 25, 2010.
E-Mail Correspondences
De Guzman Sicam, Judell. E-mail to Agnes Locsin, July 25, 2011.
Joson, Camille. E-mail to Agnes Locsin, July 25, 2011.
Locsin, Agnes. E-mail to Ruth Pison, July 22 and July 24, 2011
Maranan, Christine. E-mail to Agnes Locsin, July 29, 2011.
Sanchez, Georgette. E-mail to Agnes Locsin, July 26, 2011.
Villaruz, Esteban. E-mail to Ruth Pison, July 22, 2011.
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